Count me as one of those people who usually “gets it” with multi-layered, highly symbolic and open-ended books and movies. I liked songs in the Seventies that ended on a minor not-home chord to depict “ambiguity. And I was dazzled by Terrance Malik;s glorious “The Tree of Life” link and consider his talents profound.
Ben Affleck and Olga Kurylenko
His latest movie, “To the Wonder” therefore hit me in multiple ways. I was frustrated in many places—mostly by the fact that most of the dialogue takes place inside the heads of the main characters. Olga Kurylenko is Marina, a divorced woman who meets and falls in love with Ben Affleck, an American, while he is traveling in Paris. Neil (Affleck) commits to her and invites her and her 10 year old daughter to live with him Read the rest of this entry
Twitter is a wonderful tool. I keep up with dozens of journals, news sources, and artists who interest me through it. Of course, if you lack a trash filter, you can easily get distracted onto thousands of useless spiritual cul-de-sacs. They are hard to resist. For some reason, two stories caught my momentary attention. One said, “Taylor Swift may never marry.” The other said, “Teen Mom photographed in bikini. Makes sex tape with porn star.” My reponse to the first is, “Uh, Taylor Swift is free to not marry. Think I’ll survive.” The second? “Someone needs to help that child before she makes another stupid mess out of her life.”
What’s the deal with us? People ruining themselves is momentarily interesting, of course, but it’s the spiritual equivalent of eating only French fries for the rest of your life. You’ll pay for it eventually.
Charlie and me on a good day.
My day was not nearly so glam. I conducted a funeral for one of my dearest friends in the world. He was the chair of the committee that brought me to my present church twenty years ago. He was always the one who was working behind the scenes to lead through others without a spotlight on himself. Today, after the service, the stories poured out of things he accomplished, family members he helped with finances or trouble, lives changed because Charlie said, “I think you ought to do it.”
I had a copy of his autobiography written years ago, just so his family might know about his life. I read back through it before I did the eulogy. It was a story like many from his generation—love of family, friends, faith, and helping others. He rose to a Vice Presidency in the Bell system before he finished, but you would never know it. Everyone felt like his best friend, although if you fought him, he was tough. He had a way, said one friend, of being determined and once he set his mind on what was right, there was no way you would stop him. But he was never mean about it. Read the rest of this entry
2013 Holy Week Services Special Musical Guests for Holy Week: This year we have some wonderful musical guests who will come to offer their gifts in our journey to Easter. The great Eric Essix, Birmingham’s own jazz guitarist, will join us for Monday’s service to play in the service for us. Our own Bill Bugg will sing on Tuesday. On Wednesday we welcome Alabama bluegrass legends Three On a String. Then, on Maundy Thursday evening, we will be honored to have Angela Brown, one of the world’s great opera sopranos, as our guest to sing in our communion service. Angela came to a great crisis of faith in hier life when her brother died at age 20 and ended up at the great Oakwood college in Huntsville, originally majoring in biblical studies and minoring in music, but was persuaded that she had great gifts to offer God through her voice. She made the long climb in the world of opera and in the 2004-2005 season, made her debut at the Metropolitan Opera in the title role of Verdi’s Aida to critical acclaim and made the front page of the New York Times with her performance. She has traveled the world since then, but will be in Alabama during Holy Week and is coming to sing for us and offer a Master Class for our Betty Sue Shepherd Scholars.
This promises to be a powerful and meaningful week of worship, devotion and inspiration as we all “turn our eyes upon Jesus, and look full in his wonderful face.” Put the dates on your calendar and plan to be here. Bring your heart and hopes with you.
Several years ago, Dr. Penny Marler approached me about participating in a program where pastors might become
Rev. Arthur Price
friends across differences—race, age, denomination—and learn from each other. Rev. Arthur Price and I decided to make that journey together. He is the pastor of historic Sixteenth Street Baptist Church in Birmingham, where, 50 years ago this fall, people driven by hate and fear set off a bomb that killed four little girls who had just prayed together. The episode set off a national revulsion to the radical racists and helped put America in a new direction.
Rev. Keith Thompson
Over the course of that few years, we became friends, Arthur much younger, a different personality, a native of the North, me a son of the South. It was one of the richest experiences of my life, and it is documented on the website of the Resource Center for Pastoral Excellence. (For more information about the project Rev. Price and I did together, click HERE)
One of the side blessings of that friendship was connecting our churches. We visited each others’ deacons meetings, had our congregations together for fellowship, and continued our friendship by having breakfast together regularly over the years. Last year, we began to talk together about doing something positive that would mark this anniversary by affirming that we are in a new day and that the faith community is part of that. We were joined by another friend, Rev. Keith Thompson of First United Methodist Church downtown.
After the massacre at Newtown in December, our sense of commitment was heightened. Whatever strikes at our Read the rest of this entry
I have not posted here in a month. I took the month of January off in a period of “lying fallow,” if someone with as many hats as I wear can ever really “lie fallow.” Truth is, though, I ;have been learning to stop now and then, reassess and see how we’re all doing.
Mostly in this month I’ve been working hard. The church where I am Pastor had six deaths in about three weeks. All were friends (and that is becoming the most common description of who I funeralize now, since my 20th anniversary is approaching) and two near my age were among that group. One, Steve Blackwelder, was an ex-Marine. I mean a REAL Marine, a tunnel rat in Viet Nam who saw death up close and personal. Yet in ;the life after that, while he suffered and struggled in many ways, he lived out kindness and care for others in every way that he could. He collected Beatles ties, and all the pallbearers and my associate Pastor wore one of Steve’s to the service. The next Sunday, I told the church about Steve coming over when I moved in in 1993 to fix some plumbing issues and then setting my backyard on fire by accident when he flicked a finished—but not extinguished—cigarette through the fence. We put it out, and now it was a laugh for us.
Then there was Bob Daily. He was a former deacon, Sunday School teacher, you name it volunteer, the guy who went to welcome anyone to the church with a cold call. He was my insurance agent and I ate breakfast with him weekly for 20 years, so pardon me for feeling a little vulnerable at the moment. Read the rest of this entry
A voice is heard in Ramah, weeping and great mourning,
Rachel weeping for her children and refusing to be comforted,
because they are no more.
Friday morning, I got up early. I had a doctor’s appointment later, then a short appointment at the church and then the rest of the day I took off, as it was my normal day off. I’m an early riser, and a lot of time I take time early in the morning and late at night to indulge myself in music, one of the places, along with my family, of deep joy for me.
Today is the Sunday of Joy in the Christian calendar
Greg Womble and I sat weeks ago and recorded a little improvised song with drum and banjo, a somber, modal-blues piece. Friday I decided to finish it early in the morning, so I listened, feeling the mood and ideas that suggested themselves. I heard bass and light guitar lines in it, so I recorded them, then sat back to listen. The result was full, dark, somber, sad—perfect Christmas song. What on earth should I name it, since there are no words?
A Bible text bubbled up that fit the mood. I took the title, and sent a little email to Greg with the finished product. And here is what I wrote:
“Greg: I edited the song you and i did and added bass and light guitar. The mood suggested a title for the piece: “Weeping in Ramah” CLICK TO LISTEN from Matthew 3:18, after the slaughter of the innocents What do you think?
“A voice is heard in Ramah, weeping and great mourning,
Rachel weeping for her children and refusing to be comforted,
because they are no more.”
Then out into the day, doctor, a meeting at the church, then home. Only then did I hear the terrible news about Newtown, Connecticut, a town not all so different from ours. I had a weird feeling—I looked back at the email I sent, read online what time the events of Friday morning transpired. The moment when the verse came to mind was the same moment the deranged young man began his short day of darkness.
I was struck by the weirdness of that juxtaposition. Me, sitting in comfort and safety and boring routine, even Christmas shopping, and at that very moment, something unearthly, unimaginable. Read the rest of this entry
“Forgiveness” is my wife’s favorite song on my new CD. (Click HERE to listen to the song) The chorus goes:
It’s impossible to give forgiveness
It’s even worse to have to ask
If letting go is the answer
Living like it’s gone is the task.
How else you going to deal with the past?
Lance Armstrong and General Petraeus in one year are maybe more than we can take, even in our jaded time. I find myself turning it all off more and more just to preserve my soul. Cynicism can cripple the spirit. It can rest on the
How else you gonna deal with the past?
belief that everything is a con, everybody is out to get you, all politicians are evil, and all human beings’ motives are bad. While Christians might be seen to have a lot in common with that, what with the fall of humanity and all, I’m here to say, “Not really.”
The Christian gospel is not as much about how bad we are as that God knows it and loves us anyway. Sin is not what lives on at the end of the day. Its moment is the middle of a Friday with a dark sky and a rugged cross and a man yelling, “It is finished.” But the last word is an empty tomb, followed by a hopeful church, a Holy Spirit, and a kingdom to come.
So as Thanksgiving approaches, it might do well for us to think about how to defeat it in our lives. I want to offer two helpful practices from our faith that can be an antidote to cynicism. Read the rest of this entry
Nov 1
This gallery contains 2 photos.
I had many thoughtful calls about Hurricane Sandy because I have a daughter in New York City and another in New York State. Both, thankfully, escaped the worst of it, neither even experienced a power outage. They had friends, of course, who did. But inevitably, an avalanche of odd theological statements come forth. Speculation on […]
The truth is, the banjo, like all the indigenous music of the South,
is another of those curious shadowy meeting places of black and white people.
Surely by now you’ve seen that bumper sticker that says, PADDLE FASTER—I HEAR BANJOS PLAYING. It’s an allusion to the worst movie for the banjo’s image since the minstrel era—“Deliverance.” Despite the wonderful “Dueling Banjos” song, which was written by the talented Arthur Smith, whom I used to watch on TV from Charlotte, NC as a boy (and who also wrote the “Guitar Boogie.”), it was an image I’d as soon forget.
The banjo is associated with rednecks, hillbillies, and racism in the American mind. We think of it as an instrument of uneducated mountaineers in the rural South. We remember white people in blackface mimicking the music of the plantations that makes us wince in pain now. And that’s too bad. The banjo is an instrument that contains a shared history in black and white. It is an African instrument that white people—especially the poor–came to love.
Unfortunately, the searing history of the plantation, slavery, with all of its terrible damage to the people brought here against their wills, left us with a bizarre and tragic legacy of contradictions that perhaps reflect in our music. The notion that an African instrument, the banjo, would embody racism is odd indeed. The truth is, the banjo, like all the indigenous music of the South, is another of those curious shadowy meeting places of black and white people. From the painful memories of the minstrels to the accusations against Elvis as “race music,” the musical inventions of southern culture—jazz, gospel, rock, soul, R&B, blues, country, folk and bluegrass—all formed bridges across a divide that was stupidly attempted by law and cultural taboo.
A couple of video explorations that will open up that world for you differently. One is “Give Me the Banjo” NARRATED
Steve Martin is a lifelong devotee to the banjo
BY Steve Martin on PBS. You can watch it online here CLICK It is a wonderfully told narrative of the instrument through its complex history and cultural settings. It will introduce you to a lot of players you’ve never heard of, black and white, blues, old-time, folk, bluegrass and other styles.
Like so many cultural artistic expressions, you will find yourself realizing that all your surface shorthand stereotypes are nearly worthless. Finding the worlds under the music is like the difference between taking a tour of a country and living there.
Picture http://www.jamati.com/online/wp-content/uploads/2008/03/bela-africa.jpg
Finally, I recently found Bela Fleck’s wonderful documentary, “Throw Down Your Heart.” A camera crew follows the master banjo player and his sound man as they traipse through Africa to reintroduce the instrument to its home and play along with native folk musicians across the continent. Movie reviewer Lou Novacheck wrote of it in 2009:
The main story covers their trip, beginning with Uganda in East Africa, and ending up in Mali in West Central Africa, and includes hundreds of African musicians from the countries they spent time in, Uganda, Tanzania, Senegal, Gambia and Mali, from the famous to unknown. I’m sure neither Fleck nor Paladino saw the complexities and immensity of the project ahead of time, and I’m equally certain that there will be at least one additional similar
Bela Fleck with new friends
trip in the future. The origin of the banjo and its concomitant history are subjects that music scholars have been chewing on for years.
Early in the ninety minute film there is an astounding clip of a group of men playing what is a gigantic “xylophone” made of small logs calibrated to different notes. Fleck, the great jam musician he is, finds a place to play along. The music is haunting, joyful, and you see as many smiles as any film ever has, genuine and pure.
Truth is, most music through time was not primarily entertainment as we have created it in the last century but participative. Music was a way that common people found relief from the dreariness of life and connected in their sorrows, joys and hopes my sharing the gift of music. The image for the banjo to me is not the “minstrel” or the sinister condescension of “Deliverance” at all. Those terrible truths existed and still do. But the image of the banjo is the jam, where people sit together and make music. There is an etiquette to old-time and bluegrass jams about taking turns, learning a canon of tunes, being invited in, and initiating the newcomer.
This year I finally broke down an bought a banjo (to go with my guitars, acoustic and electric, mandolin, harmonicas, keyboard, violin, dobro, bass, two ukuleles and penny whistle, among other things. I just love sounds—any and every. I have a Gold Tone BG-250, a gorgeous instrument that prices at the beginning of the high end banjos. I bought it from my good friend and banjo wizard, Herb Trotman, at Fretted Instruments of Homewood Alabama.
And playing it is not a political event to me at all. It is simply soothing, a connection to ancestors and the mystery of all life. When I sit alone and play, I am not alone. I connect to the ages and to all things. While I’m not very good yet, here is an MP3 I came up with as a first composition, called, “Dynamite Hill” with banjo and keyboard on my recording. LISTEN TO GARY PLAY “DYNAMITE HILL”
In a time when people sit, docile, in front of Blueray screens and passively watch other people live life, the jam seems pretty healthy by comparison. So I offer, in closing, a wonderful group from North Carolina, “The Carolina Chocolate Drops,” play “Cornbread and Butter Beans,” who keep alive that this music belongs to all of us. In the weary, tiresome deadness of current politics and economics, we desperately need the arts to help us find our souls again. A good jam is a great start.
Sometimes hope only bubbles up in the small delicate places
that are almost unnoticed among the debris of history
What do 9-11, a pregnant woman, an orphan immigrant from Burkina-Faso, and a store specializing in Afro-pop music have in common? And on a day of such sadness, are there flickers of hope to fasten to?
Sometimes hope only bubbles up in the small delicate places that are almost unnoticed among the debris of history and humanity’s terrible bent to self-destruction. If we cannot always fathom the great purposes of God in the
Ken Braun
rumblings of nations and enemies, we can listen to stories. My daughter Katie is a member of Metro Baptist Church in Midtown Manhattan, a thriving small congregation with dynamic social ministries and a loving fellowship. Last year, one of their members, Ken Braun, shared his story of that day. It was about his friend and colleague, Alberto Barbosa. “Berto,” as Ken calls him, was born in a poor village in west Africa. Orphaned, he made his way as a teenager, first to Portugal and then to New York.
Ken met Berto when he first came to New York and when Braun started a company dedicated to African music, Berto was his first employee. The business was located just a few blocks from the World Trade Center. Eventually, they both moved their families to New Jersey and would meet in Newark and commute on the Path train every morning to the World Trade Center terminal and walk to work from there.
On September 11, Braun says he had some errands to do, so he didn’t take the Path train, instead taking the bus to the Port Authority. He never made it to work, and we know why. Braun said, “The bus route takes an elevated highway over the Meadowlands, and from there you can see almost all of Manhattan, especially when the sky is a lucid blue like it was that day. I saw the flames and smoke from the North Tower. I had no idea what was going on.”
Traffic ground to a halt above the Lincoln tunnel and as they stared out the windows, they had a panorama seat to see the South Tower impaled by the second plane. They could get no closer, and chaos ensued. It took a long time for Ken to make his way home and he spent the 
rest of that day calling friends, leaving a message at the school for his children, and following the unspeakable horror. He was particularly eager to contact colleagues because they all would have been going to that part of the city that morning.
He heard from everyone but Berto was the last. He was anxious, worried about him taking the train right into the station under the buildings. Finally, Berto called, and Braun anxiously sputtered, “Where the hell have you been? And he said, “Well…hell.’ I’ll let Braun himself tell the rest.
He had been on the last train to come into the World Trade Center, and when he exited into the underground terminal, people were shouting and running in all directions, so he thought, “I better get out of this and get to work.” So he went up to the ground level and exited the building and walked into pandemonium. Debris was falling and fireballs were falling, and he said, “Some I the things I saw, I didn’t want to look at them, I don’t want to know what they were. I just wanted to get out of there.”
So he kept walking toward the office, but he didn’t get far, because he came upon a woman, a very pregnant woman, sprawled out on the sidewalk, and he knelt down beside her. She was gasping for breath. He thought she was having her baby. He tried to motion for a policeman or a medic, and there were many, but they were all rushing toward the fire, and no one noticed him or the pregnant woman on the ground.
So he picked her up in his arms and he carried her as far as he could and then he set her down in the shelter of a doorway, and took out a bottle of water and gave it to her. And when she could finally catch her breath, she said, “I’m not in labor, I’m just terrified.” And he said, “Don’t worry, we’ll get through this together.”
And when she had enough strength, he helped her to her feet, and he put his arm behind her waist, and they walked. They walked north, and whenever she needed to rest, which was frequently, they would stop and then keep going.
It took them seven hours to walk seven miles. She lived in New Jersey, so they went to the Hudson River Ferry crossing on West 33rd Street, and there were masses of people there because that was the only way to leave Manhattan.
Berto found a bench for her to sit on, so he went to find a person of authority to help her get on this ferry ahead of all the people who got there first, so eventually he found somebody and they escorted her up the ferry. She said, “I will not go without this man,” so they brought him and he went with her.
When they got to Hoboken, there were masses of people there, too, but had no place to go because the buses and taxis were full. But someone with a car saw how pregnant she was and said, “I’ll take you wherever you have to go.” But there wasn’t room for Berto, so he said, “You’ll be okay now. Good night.” Then he made his own way home, which took another two hours. He got home at 9:00 that night.
In 2009, Berto was shopping and a woman bumped into him and said, “Alberto!” he recognized her and said, “I know you. Where have we met?” And she identified herself as the pregnant woman and told him he had saved her life. Berto said, “Ah! I didn’t save your life! You were strong. We helped each other.”
She said, “Alberto, when death surrounded me, I prayed to God that He would spare my baby, and when I opened my eyes, there you were. And you lifted me up and carried me away from danger. You saved me and my baby.”
What moment that had to be! He asked how the child was and she said, excitedly, “Wait here.” She ran off into the store and returned with a smiling man and young boy in tow. The husband threw his arms around him and a party broke out.
The woman said, “Every night I thank God for you and pray that we will meet. I want you to meet our son. Alberto, this is our son. His name is Alberto.”
Berto, still uncomprehending, said, “Oh! Is that a name in your family?”
And the father said, “It is now.”
Listen to Ken Braun tell the story on the Metro Baptist Church website.
A New York Times piece about Ken Braun’s love of African music.
