For many years, a member of my church who knows my weird tastes in music (if most people have never heard about it, I might have; if mass media doesn’t write about, I will) gives me the annual Oxford American Southern Music Issue. Given my roots and rootlessness around and on the edges of this bizarre and wonderful region (politics=absolutely bizarre; unelected people generally fascinating and gracious; land, music and layer of cultue—wonderful), he knows it lines up with my interests.
The OA is a journal with as colorful and eccentric history to match the region it writes about, but plenty has been written about it elsewhere. Just a few lines to mention the music issue, which isn’t cheap ($12.95) but well worth it. Every year, a particular state’s rich heritage of famous and not-so-well-known songwriters and performers are showcased. Read the rest of this entry
In 2008 I wrote a song called “The Man I Didn’t Kill.” The story of the song is pretty simple in a way. I get song ideas all the time just from observations of life. I never mind a drive to the hospital or the million other tasks I have to do in my work as a minister. It is an ocean of songwriting material, because it’s simply life experience. I really admire the great songwriters who live in Nashville, sit in an office all day and crank out lyrics. I’m not sure I’m that imaginative.
My ideas come from life. I walk through, listening to people in trouble, solving problems, managing a congregation, dealing with budgets, praying for the sick. All along, though, the artist in my brain tries to pay attention. I’m not looking for songs, but I’m paying attention for things that interest me. Kate Campbell talked a lot about being curious—noting things you care about and trying to understand why.
So songs, or at least ideas, pop up everywhere. Back about 2008 or 2009, I wrote a song that ended up on my cd “Overload of Bad News Blues.” It’s called, “The Man I Didn’t Kill.” It came from a close call. One day a pedestrian walked out in front of me without looking. I was watching him, so I hit the breaks and, for the first time, he saw me. Small bit of life. Read the rest of this entry
It’s a good time to polish up friendships, love family, forgive, thank and bless.
So I turned sixty, and for some reason the people around me celebrated for a week. I know with Ebola, the Ukraine, ISIS and Israel causing the end-of-the-worlders to crank out their book my firthday isn’t a big deal globally, but it has been to me.
Over the last five years I have laid to rest a close friend, a father-in-law (who was a second father to me) and a mentor and colleague I have known for 21 years and was my predecessor. The Shadow has been around lately. I have grandchildren. There is likely more life behind than before me years-wise. You know—morbidity hangs around. Joints ache a little more.
You’ve poured a lot of concrete by sixty. Decisions, patterns, character, and events harden into tracks out of which it’s hard to escape. On the other hand, those same tracks give a certain comfort and stability to life. It’s hard to break them up.
The upside has surprised me, though. A certain amount of “I just don’t care about that anymore.” I don’t care very much at all what others think about what I think. I don’t need to correct them all Read the rest of this entry
“…there is a playful randomness about what we find and read. Or rather, what finds us”
When I first rekindled my interest in songwriting and music again, sixteen or seventeen years ago, I began hanging out in music stores, playing the guitar again and digging out songs from my memory and on faded notebook paper from years ago. One day, a worker in the store I frequent most, Fretted Instruments of Birminghm, said, “Are you just starting to explore the discography?” I had just said that “I was getting into bluegrass music” and that was his reply.
I began to delve into just that—listening, going to shows, scooting to Nashville now and then. I bought a collection of Bill Monroe’s music. Over the coming years, I heard a lot of music live—Bruce Hornsby, Ricky Skaggs, Nickel Creek, J. D. Crowe, Earl Scruggs, Vince Gill, as well as a lot of lesser-known but excellent players and singers coming through the Station Inn in Nashville or here in Birmingham, Read the rest of this entry
“The genetic code of bluegrass and old time music is more sophisticated than that. It carries stories of birth, life and death in the old days. It tells of children dying young, tragic love, shame, murder, alcoholism and faith. To learn the code, no stereotype will do. You have to descend into the music and listen.”
In 2005 I took a three month sabbatical to study, pray, and feed the senses. I went to art museums, read books, went to Nashville to learn about the music industry and played at open mic at the Bluebird Café, reaching one
of my bucket list items (the ultimate would be a gig on the “Prairie Home Companion Show” while Garrison Keillor is still on earth!). But a lot of that time was “exploring my roots,” musical, theological and spiritual—which led to a week at Steve Kaufman’s Acoustic Kamp.
I’d been to the Kamp before, in Maryville, Tennessee. Unless you are a devotee of the guitar and acoustic cousins like the mandolin, the “fiddle” (violin played a certain way), bass, banjo or dobro, you don’t realize that hundreds of camps happen every year across the world where musicians gather and play and learn the heritage of “roots” music—folk, jazz, country, celtic, and so on. In these places, campers rub shoulders with the legends of bluegrass, swing, fingerpicking and new acoustic music. I met legends like Bill Keith, Clarence White, Read the rest of this entry
“J——, this is your pastor. Now having heard your
confession on the air, will you stop by to receive
penance instructions about being a better father and husband?”
It’s just too easy to weigh in on the comments of Mike Francesca and Boomer Esiason about Daniel Murphy’s decision to take two days to be present for his baby’s birth.
Of course, we live in a time of sportainment. More and more, as politics becomes hopelessly unresponsive and global problems impinge on every part fo life, sportainment is the way we escape–from real life. Except that ultimately isn’t an option.
One day I listened in on sports radio–I admit, it’s a guilty pleasure on the way to the hospital or a meeting, in part because I will always laugh at something pretentious, silly or absurd. And much of what is discussed is fun to consider. A husband caller complained to Paul Finebaum about a player’s tweet after Alabama lost its bowl game that “it’s only a game.” His argument was that it isn’t. He went on, passionately, to say that though he was a member of a church and loved his family, that during the football season he spends more time and money on the sport than on his wife and kids or his church.
My jaw dropped since I am a minister, but why should it? I like to imagine that I might follow up crazy calls. What would I say? Disguised voice: “This is Dr. Hapner Wogwillow. I am a marriage therapist. I treat his wife for depression and recognized him in the call. He needs to go home. She just left for good with the kids. I will tell him their names if he’ll call me. BR-549.” My other idea was to, “J——, this is your pastor. Now having heard your confession, will you stop by to receive penance instructions about being a better father and husband?” Read the rest of this entry
Johnny Cash, in many ways, lived as a prism of
the last half of the twentieth century,
at least a Southern version of that.
Johnny Cash died on September 12, 2003, going out in a blaze of recording glory with his last work, four albums titles “American I-IV”. Ever experimenting and interacting with the musical world, the series, produced with the help of Rick Rubin, was highly acclaimed. “Hurt,” and the accompanying video, appearing three months before June’s death and seven before Johnny himself succumbed to diabetes.
The brilliant video serves as a summary and eulogy for the man in black. But apparently it was not the end of his recording career. This week the world is meeting the music of Johnny Cash once again. “Out Among the Stars,” a never-released album of songs recorded in 1984, was unearthed by his son and released to the public. I just got it and am listening through.
Folksinger and songwriter KATE CAMPBELL is coming to Alabama to lead a class on Songwriting during March (21-23) as part of a weekend school on writing. If you write lyrics, always wanted to, are a performer who tours or just somebody whose been writing songs in the basement for twenty yearsa and never had the courage to sing one in front of anyone, you might enjoy coming to the Alabama Folk School’s latest offering, “WORDS, WORDS, WORDS.” The Alabama Folk School is a lovely new place to go and learn about crafts and arts of all kinds—playing the mandolin or quilting. And now, songwriting and the written and spoken word.
OK, the Grammys are over. And I didn’t watch. I am not a sourpuss who needs to pour water on people who want to make millions of dollars dressed as French mimes from Venus. Free world, have at it. I like most music, but not all. Again, your right. But me? I like making music more than buying it. I like crafting, thinking about it, playing with friends, encouraging others. I like singing with my Dad whenever we’re together. Singing in church. Singing with our band, but I like practicing even more. I love writing songs. I love learning about it, crafting, exploring something until it is “finished” (which is the hardest part—letting baby leave home!). And the best way to grow in your craft is to be around others.
The weekend event will offer a class on writing and one on songwriting. No prior knowledge or expertise is necessary, just interest. I’m sure the place will be full of people with guitars and notebooks, jamming, telling stories and swapping ideas. Maybe you have words and want to meet people with a head full of tunes. Or vice versa.
The weekend is NOT a competition for “greatest songwriter on earth.” It is a community to encourage everyone to
find their voice and grow in their skill.
There will also be a sonn-to-be announced instructor for a writing class the same weekend.
I’d want them to know my love was so strong that no matter how bad it gets,
how far down they go, who leaves them and abandons them, I won’t.13Now when Jesus came into the district of Caesarea Philippi, he asked his disciples, “Who do people say that the Son of Man is?” 14And they said, “Some say John the Baptist, but others Elijah, and still others Jeremiah or one of the prophets.” 15He said to them, “But who do you say that I am?” 16Simon Peter answered, “You are the Messiah, the Son of the living God.” 17And Jesus answered him, “Blessed are you, Simon son of Jonah! For flesh and blood has not revealed this to you, but my Father in heaven. 18And I tell you, you are Peter, and on this rock I will build my church, and the gates of Hades will not prevail against it. 19I will give you the keys of the kingdom of heaven, and whatever you bind on earth will be bound in heaven, and whatever you loose on earth will be loosed in heaven.” 20Then he sternly ordered the disciples not to tell anyone that he was the Messiah.
Looking at a newborn is a pretty overwhelming reality. It is the age we are in. Vickie and I were sitting outside in the
waiting room, getting more anxious by the moment for our daughter and her husband and a little one. Being born is
dangerous, not guaranteed, and full of anxiety, no matter what reassurances we are given. In fact, the greatest advice from the OB to our daughter the last two months was, “Don’t Google.”
We don’t know how to know what to do with all the information. In the old days, they took the mother, the father paced outside, and the baby arrived. It was the first inkling of what you had—boy or girl. No paint colors until you knew.
Now, you have more knowledge about this infant than the NSA has of your cell phone. But what to make of it? Truth is, there is still a place where we cannot intrude with knowledge, and it is the miracle of life itself.
But don’t get me wrong. It’s great to know. And here’s how we got the word. We’re sitting there, grandparents, waiting, worrying, praying. Getting texts from our kids and friends—praying for you, hoping, let us know, that sort of thing. And we occupy ourselves by answering these as we wait. Naturally, we are watching the other occupants of the room. A waiting room is pure democracy. Rich, poor, well-dressed and barely dressed, country and city, every Read the rest of this entry
Laura’s talent is immense and her music full of heart…,I hope you get to hear Laura sometime. She’s a terrific musician and … You’ll find these tunes getting in your head and your voice humming along!
Laura McGhee performed together with Shades Mountain Air on Saturday evening, then came and performed at our church on Sunday morning, doing her two beautiful compositions, “Roxburghe House” and “Commemoration,” the former a musical reflection on a house in Scotland where hospice work now takes place, the latter a piece she composed for a 9-11 memorial in New York. Set in the context of worship, they affected the congregation deeply. It was quite a weekend, one in which I was able to spend more time than I often do with a fellow performer in a co-bill.
I met Laura last year when we shared a performance at Moonlight on the Mountain in Hoover, Alabama, near where I live. It was a delightful evening, and her talent and musical chops were evident to all of us. When our host on Saturday evening scheduled a retirement party for all of her friends this weekend at the same listening room, Read the rest of this entry